So I could be just as well working on new Antichrisis tracks again -- but thanks to Apple Logic Pro X was released a few weeks ago, and as we’re finally having a proper broadband connection here again, I was able to download those 42 GB of Logic Pro X and its contents in the wink of an eye. Of course this means that I’ll have to get familiar with all the new functions and elements of Logic Pro X, but as far as I can tell Logic Pro X seems to be a very promising and significant step forward: can’t wait to put my hands on the first production with Logic Pro X, but I’ll have to learn a few new tricks first (and thanks to those magnificent Logic-tutorials by MacProVideo I should be learning these aforementioned new tricks and functions within a reasonable time).
By the way: Ayuma and me had our 5th wedding anniversary on the 1st of August -- and we’re still enjoying every single day with each other as lovers, best friends, companions and soul mates. It feels exactly like in Bruce Springsteen’s “If I Should Fall Behind”:
“We swore we’d travel side by side
We’d help each other stay in stride
But each lover’s steps fall so differently
But I'll wait for you
And if I should fall behind
Wait for me
Now everyone dreams of a love lasting and true
But you and I know what this world can do
So let’s make our steps clear that the other may see
And I'll wait for you
If I should fall behind
Wait for me”
And Ayuma just released her gorgeous new track “Be Gone”: check it out at SoundCloud:
At the same time I’ve put the finishing touches on Ayuma’s brand new track “Wenn Ich Dich heute seh’”-- and there really are lots of other new songs in the pipeline, hence Antichrisis’ new album is developing pretty well even if you won’t be hearing any new songs until “Foxfire” (the new album’s title) is released.
Neil Young & Crazy Horse: “Walk Like a Giant”
Of Monsters and Men: “Your Bones”
Santigold: “The Riot’s Gone”
Lana Del Rey: “Born to Die”
Bruce Springsteen: “We Are Alive”
First Aid Kit: “Emmylou”
The XX: “Angels”
The Dead Lovers: “The Storm”
The Raveonettes: “Young and Cold”
So let’s do some arithmetics now according to the rule of three:
25.293 illegally downloaded copies = 100%
182 legally purchased copies = ?%
The answer is: obviously only 0,72% of those interested in Antichrisis (at least I presume that only those interested in our music would bother to download our album via BitTorrents) are paying for our music, hence it’s hardly surprising that Reartone Records and Tunguska Records, the last two labels that Antichrisis has been working with, had to call it a day because one simply can’t stay in business with that kind of payment behaviour — and as a result due to these facts we simply can’t afford a CD release on our own because according to these figures that would mean a foreseeable financial disaster for us.
But just for the sake of it let’s start dreaming a little bit: if only 50 % of those who downloaded the album illegally would have paid for “Not Fade Away” for example on Bandcamp (where the album is on sale for 7 Euros), we would have earned 88.522 Euros. We could have re-invested that money in better equipment for our home studio; we could have afforded to release a really extravagant collector’s edition on CD and vinyl with proper booklet, artwork and all that stuff and we could have also afforded to pay for a PA and for musicians to go on tour and play live — but that’s just daydreaming…
Fact is: the vast majority of our listeners are stealing our music — and yes, we know your line of reasoning: “It would only be stealing if the goods that have been stolen from you would no longer be in your possession which is definitely not the case with digital goods, so stop your sobbing!”. But that would mean that all kind of digital goods are left to villainy, be it literature, photography, cinematography, music or any other kind of art that can be distributed via the Internet — and that’s undeniably far beyond fairness! If you don’t want to pay for our music for whatever reasons you have, that’s absolutely o.k.; you’re welcome to listen to our music for free via streaming audio on Soundcloud or on this website -- but for fuck’s sake don’t fucking steal our music which is unquestionably our intellectual property (pardon my French, but it really makes me blow my fuse!).
Another fact is: Ayuma & me are working really hard on our music and we won’t stop making this music because music is our heartbeat and we fortunately don’t have to earn our living with the money we’re making from Antichrisis (which is approximately about zilch) but from going to work each bloody morning to make ends meet. Nevertheless we know lots of really good bands and artists who simply had to give up their musical career and their projects because they simply couldn’t afford it any longer — and it wasn’t because no one would have been interested in what they were doing but because no one wanted to pay for their work and preferred to download it illegally from the Internet instead!
But that’s enough ranting for now: most of all Ayuma and me would like to thank those loyal Antichrisis fans who purchased “Not Fade Away” so far once more; and here’s our blessing for our “illegal downloaders” (you know who you are): hopefully one day you’ll get ripped off quite neatly, too!
Kurt Mitzkatis spricht mit Sid über das neueste Werk von Antichrisis “Not Fade Away” und die Bandgeschichte.
Die Band Antichrisis ist eine der am meisten unterbewertetsten Bands überhaupt. Mit großartigen Alben gelang es bisher nicht, den zustehenden Lohn einzufahren; dabei gibt es Antichrisis schon seit 1997.
Nun hat Mastermind Sid alles neu und anders gemacht. “Not Fade Away”, das am 14.04.2012 erschien, ist weit mehr als nur ein Albumtitel.
Genaueres werdet ihr im Gespräch erfahren. In der Radiozeit gibt es eine komplette Übersicht über das Werk von Antichrisis.
Diejenigen von Euch, die die Sendung nicht live hören konnten, können sich die Aufzeichnung des Interviews direkt bei German Rock e.V. anhören.
iTunes Store (or search for “Antichrisis” and “Not Fade Away” in your county’s iTunes Store)
Amazon MP3 Store (or search for “Antichrisis” and “Not Fade Away” in your county’s Amazon MP3 Store)
Bandcamp (international availability but you need to have a Paypal-account)
Just use the shop that suits you best -- the main thing is that worldwide availability should no longer be a problem.
Secret US embassy cables sent from Cairo in the past two years reveal that the Obama administration wanted to maintain a close political and military relationship with the Egyptian president, Hosni Mubarak, who is now facing a popular uprising.
I guess the same goes for Germany, too: satisfactory trade relations always require fraternisation with the respective rulers, hence there’s no support for the protesters neither from the US nor from German State Department, but nevertheless I do hope that their fight for social justice and Human Rights in their countries will prevail.
“Christmas Day” - Dido
“Stop The Cavalry” - Jona Lewie
“Harlem Country” - Kirk Brandon
“The Christmas Song” - The Raveonettes
“Fairytale of New York” - The Pogues
Best Wishes and a Happy New Year to all of you - and let me know what you think of the new website design.
In the meantime we hope you’re going to enjoy “Adrenalin” as much as we did when we were working on that song - and we also hope to be back on the track real soon!
By the way: New Antichrisis Interviews at www.hardharderheavy.de (in German only, also includes a very profound review of A Legacy of Love Mark II) and at www.lagrosseradio.com (in French only).
Maybe a lot of you might think something like “Duh - does the world really need another dispensable remix? Aren’t remixes just a bad case of flogging a dead horse with making some extra money from an already released song?” - and of course I can’t completely deny that attitude.
But there’s something else about remixes: In the older days (yes, I was born in the sixties, so I should know all about those good ol’ times!) a band recorded a song on tape and once it had been mixed and produced that song could not been altered any more - it was on tape, it was done, and the only thing you could do was a bit of remastering when you felt the need for it.
But these days are gone: Nowadays with all those hard disc recording-prospects there is no such thing like a “finished” track any more. Thanks to your software sequencer’s total recall-capabilities one can work on a project, finish it - and re-open it again 12 months later with all the proper settings just for adding an idea for a new guitar line. And me, I surely love that kind operation method.
Besides, since I’ve released the first version of “Crossing The Line” I couldn’t help but notice that this track needed a more powerful Techno beat to make it work - maybe there are some things that you’ll only find out after having “lived” with a song for a couple of weeks.
Anyway, that’s the reason why I picked up “Crossing The Line” again and revised it for Dark Feather No. 10 (by the way: you can still get the entire double-album here): the groove’s emphasis is now focused completely on danceability and there’s also a more aggressive midsection as well as additional vocals by Ayuma. You may download or listen to “Crossing The Line (Dark Feather Remix)” here. Enjoy!
I’m really proud of this version because Ayuma’s vocals bear that special kind of melancholy airiness that emphasizes the overall feeling of that song: the battle is over and you have lost - and there’s absolutely no way of ever going back. But at the same time this means that there’s no more burden on your shoulder: though you’ve been bereaved of something that once was so precious to you, you are now free from a situation that was only causing pain in the end. Let your tears flow for the past, but the future’s promise lies already ahead and it’s sounding like a sparkling waterfall from afar.
Maybe this is one of Antichrisis’ most catchy tracks so far - but don’t get fooled by the song’s overall easiness: still a deep sense of valediction is lurking under its surface.